Perhaps an image can be located precisely here: not where something is fixed, but where it has not yet been decided. Between one state and the next, between what becomes visible and what remains concealed. In the solo exhibition Copy of a Wall by Lin Olschowka at Kunstverein Friedrichshafen, the painter’s works unfold within such in-between spaces: between image and object, between sacred iconography and everyday aesthetics, and between reality and representation. What interests the artist most …
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Perhaps an image can be located precisely here: not where something is fixed, but where it has not yet been decided. Between one state and the next, between what becomes visible and what remains concealed. In the solo exhibition Copy of a Wall by Lin Olschowka at Kunstverein Friedrichshafen, the painter’s works unfold within such in-between spaces: between image and object, between sacred iconography and everyday aesthetics, and between reality and representation. What interests the artist most are the original, the copy, and the moment of transition from one to the other: when do images come into being, and what alters function in moments of transfer?
Excerpt from the catalogue text by Marlene A. Schenk
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