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Jacqueline de Jong Disobedience

26.09.25 – 22.03.26 Kunstmuseum St.Gallen

(한국어)

“ We need to be reminded to be disobedient.” – Jacqueline de Jong in 2017 The first retrospective in Switzerland of the work of the Dutch artist Jacqueline de Jong (born in Hengelo, the Netherlands, in 1939; died in Amsterdam in 2024) brings together an oeuvre of painting, sculpture, and graphic art produced in dialogue with some of the most important post-war artistic movements in Europe over a period of more than six decades – including art brut, Pop Art, New Figuration and Postmodernism. Her …

(한국어)

“We need to be reminded to be disobedient.” – Jacqueline de Jong in 2017

The first retrospective in Switzerland of the work of the Dutch artist Jacqueline de Jong (born in Hengelo, the Netherlands, in 1939; died in Amsterdam in 2024) brings together an oeuvre of painting, sculpture, and graphic art produced in dialogue with some of the most important post-war artistic movements in Europe over a period of more than six decades – including art brut, Pop Art, New Figuration and Postmodernism. Her shapeshifting and oftentimes politically engaged work was playful, erotic, funny, dark, and – above all – always radically contemporary.

Curated by Melanie Bühler, Curator of Contemporary Art at Stedelijk Museum Amsterdam

The publication Jacqueline de Jong: Disobedience published by JRP|Editions will be released on 26 September 2025.

Discover more details here.

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Peeing Hamlet

Jacqueline de Jong Peeing Hamlet 2012,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Elvis (3 Generations)

Jacqueline de Jong Elvis (3 Generations) 1978,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

After Four Hours the Beans Are Revealing Themselves

Jacqueline de Jong After Four Hours the Beans Are Revealing Themselves 1970-1972,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Slipping Deeply

Jacqueline de Jong Slipping Deeply 1996

oil on canvas 150 x 200 cm

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Grietjes ontstoken tandvlees (Gretchen’s Inflamed Gums)

Jacqueline de Jong Grietjes ontstoken tandvlees (Gretchen’s Inflamed Gums) 1968,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience

Jacqueline de Jong Disobedience 2025,

installation view, Kunstmuseum St.Gallen. Photo: Sebastian Stadler

Disobedience